(numb remix) room full of records edition of japanese space jams, galax including a member of acid mother temples in it ranks. 180g-vinyl!

back with another monster of a release, ellum audio bring you four heavy duty remixes of the infectious jam new york is alright from tv baby - a killer track with a throb of low-resolution low-end and caustic vocals - in the words of label boss maceo plex. for the a side blackspun deliver a sensational ‘minimal mix’ and acid dub, while over on the flip maetrik injects plenty of groove and idjut boys take things into another dimension! all tracks are serious dj weaponry, each served to dominate the dancefloor in their own way at peak time

hard, 1990s acid & industrial informed techno ep.

vol ten with more experimental spooky acid house

lovers of giorgio moroder, kraftwerk, aphex twin, drexciya, legowelt or ceephax will find it easy to relate to this wonderful melodic acid bath. with its foundations in synth pop, chicago house, detroit techno and electric dance, this album brings us a real taste of scandanavia, rather than the all too common swedish house mafia.

the second comp on hollands 030303 shows the beauty, depth and variety of the roland tb-303 more than ever in the history of the label

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.

milton bradley prod. acid techno jams

opener getting run down loops up a nagging hip hop sample over skittering dukey beats and washes drifting pads and spacey keys over the top for a hypnotic late night groover. reach out goes at a calmer pace, but revolves around intense builds, insistent polyrhythms and detroity riffs for a bit of hypnagogic drama. on memix duties, om unit does what you hope hes going to do, injecting reach out with seemingly infinite swathes of space and bottom end, looping about at his own pace, but with that constant sense of om unit purpose. nphonix closes out proceedings with a tweaky, rubbery acid style workout that will find friends in bass and house camps.

vinyl only
when theres twilight in boston, you can take many lonely walks around the city...

vinyl only! the four seasons volume ii features tracks by lost in the sound, whim-ee, pittsburgh track authority vs anaxander and perseus traxx. the range of this volume goes from acid house to techno. 4 bangers, 4 visions of dance music.

less monday are back with more dance friendly house tracks. make this trip!

tresor residents krenzlin & 88uw give their debut on starkstrom and deliver this brilliant 4-tracker full of funky, acid-driven techno madness. special collectors edition on dark translucent, blue & black marbled vinyl!

four mindbending & spiritual acid sessions by mighty mr. moss aka hieroglyphic being, reconnecting the children of earth once more with the ongoing bio rhythm of dharma, the regulatory order of the universe and the ever & omnipresent sacred spirit of jack. this will move ya. warning: the label will not be held responsible for proprioceptive mass hallucination, neurological disorder or religious revelations of any kind, after playing these tracks out loud. are you still with us?

despite the watery divide between them, brooklyn-bound greg schappert and london-based tom russell have fostered a production partnership as donor / truss for the last six years, emerging today as one of technos more robust and hardworking duos. as solo artists they ve racked up notable releases between them on labels like stroboscopic artefacts, perc trax and our circula sound, outside of schapperts own miniscule imprint. meanwhile russell has been stepping out as the acid-charged mpia3, lately flexing a less is more approach with outings on avian and r&s.

on saturday the 13th of april de:tuned is hosting the multi-dimensional world event at petrol club in antwerp, belgium focussing on the best in old school techno, acid and rave. to beat the drum, de:tuned is releasing a very limited 12inch record featuring tracks by artists who will be performing at the event on april 13th. each artist is bringing his unique sound to the table, but with an added de:tuned twist. the result is a double a side release which will be available on heavyweight yellow vinyl.

vinyl edition - double pack #2: omar-s new album thank you for letting me be myself, is alex smiths best album to date. the fourteen tracks on this disc demonstrate smiths studio prowess and his dynamic range as a producer - from uplifting house to raw techno beats and acid! albums dont come much better than this one...listen for yourself!

vinyl edition - double pack #1: omar-s new album thank you for letting me be myself, is alex smiths best album to date. the fourteen tracks on this disc demonstrate smiths studio prowess and his dynamic range as a producer - from uplifting house to raw techno beats and acid! albums dont come much better than this one...listen for yourself!

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl. the now legendary acid village demo sees the light of day pushes into the mysteries and darkness of night, looping crackless & melodies pop through an atmospheres of samples & strings, stetched out, deformed and leaving us asking who the creators are?

perseus traxx is no stranger to the legion of underground warriors who place quality above quantity, having released on bunker, m/o/s, photic fields, boe recordings, boomchik, chiwax, sequencias, and future flash to name a few, as well as being one half of nite vision with the man behind mantra/myriadd.the muses are the nine goddesses who promote literature, science and the arts, the personifications of inspiration. though only named and assigned characteristics as recently as the roman era, they were revered by the ancient greeks, who documented that them as having been recruited by the egyptian god osiris as he passed through ethiopia prior to embarking on a tour of asia and europe to teach the arts of cultivation to mankind. itís with this in mind that perseus traxx, makes his first release on newcastleís flight recorder label, delivering an ode to four of them directly rather than the forms they have inhabited while they visit him. bubbling and cutting, heavy synths and dusty tones are jammed out live to tape, ranging from the playful to the stark as they characterise the appropriately named tracks. an ordered tangle of wires and patching in a unique set of acid-free sonic experiments, that sometimes feel as cold and edgy, as they do warm and carefree.

located in eindhoven, the netherlands, ivo hartman has been producing and playing gigs using a variety of pseudonyms. presently, he is focusing on his own imprint ‘ivo hartman music’. this label will present his vision on todays (dub-) techno and acid. expect deep, obscure soundscapes and techno rhythms that seem endless. his first release “ih001&#8243,,, was well received by both acid freaks and techno heads from all over europe and beyond. so now it’s time for “ih002&#8243,,,, two brand new dark acid tracks on clear marbled vinyl

sneakers first solo ep for uncanny valley is a record of high humidity. the java / sumatra ep evolved in large parts in indonesia when sneaker lived there for almost a year and it literally conveys the indonesian heat to dance floors in the rest of the world. compared to his acid house-inspired you think you think which was featured on the uncanny valley 004 compilation, this four new tracks show another, rather ark, pop and new wave side of sneaker

4 track ep dripping wet with deep house analog warmth. dirty laundry is an old skool chi-town house cut ala washing machine, not so wicked a deep jack track b/w nocturnal emo, a frenetic acid trax and last but not least fabric softener a slow bubbly groover. on soo wavey. limited (250).

seattle based artist (force inc, swayzack). title cut slo mo w/stylish synths over deep house. mineral scan puts acid into smooth soundscape. black mondial pushes tempo up with dreamy bouncy vibe. ltj xperience remix brings vox, guitars & all around funk.

capital bass records continues to explore new sonic territories with its second release by spb based analogue-head ponty mython.
the main theme called jesus makes you stomp your feet to its funky beat and phat acid bassline that mutates during the track keeping things deep without getting too religious. futureboogie man christophe does some good work on the remix adding some extra syrup: even more bass plus preachers speech in the middle of the track.
the b-side goes even deeper with blackstreet sampling number u ve got your pr0blems. starting off with the smooth disco beat, little guitar and that catchy male vocal the track changes halfway with addition of funky acid squelches and 4x4 house beat that makes you realize you really, really want to stay at the dancefloor.

wheel & deal records presents the long awaited first album from the young, eclectic and talented dj / producer benton. following a stirling release catalog with wheel & deal, benton gives us his deep, dark dose of uk bass. benton brings dubstep, dnb, jungle, garage, acid house, dub & grime in to the mix, showing a knowledge of underground dance music but with a fresh, unique take on genre. reflections is a innovative and deep musical journey.

sorgenfri inspelningar is a new label hailing out of malmoe, sweden. syra is significant for acid in swedish, and that is what this first release is all about! benjamin syra provides 4 great analog acid tracks, limited 300 copies, vinyl only.

george k, dj and producer, born in 1981, based in milan. his first steps in music date back a long time, when he began taking an interest in mixing and scratching techniques. his roots are hip hop and reggae, but in a short time thanks to breakbeat (rockit - herbie hancock) he abandoned that sound for experimentations in electronic music: techno was love at first listen, detroit and acid above all. with the passing of time he has begun to dedicate himself as much as possible to productions using synth and drum machine. now he has begun his new venture as owner/manager of his label fu.me where he will focus his work on promoting new and old sounds - without forgetting his roots - offering bad and dirty sounds .

parisian acid crew minimum syndicat drop their trademark techno on pareto park, with an ep of industrial beats, evil acid and brooding analog synths. spanish techno mainstays exium remix the title track, fracturing the beat into an intricate broken rhythm underpinning evolving bleeps and dark synths. four tracks of warehouse techno for peak time play.

dark acid laced house cut with vocals by ebony ugo backed with a remix by ukrainian producer vakula, who provides a dreamy lush remix and auset, a monster head trip made for dancefloors and headphones alike. dope!

877 records join with longtime friends and collaborators to present the well rounded rebel alliance ep. klic and riskotheque lead the way with their track compton, a bass heavy anthem already rocking the clubs and doing damage on radio. stomping 808&#8242,,,,,s, sing along vocals and acid arpeggios join perfectly to form this instant classic. donga & blake more than do justice to the original with the compton give a dam jam remix. a perfect example of their sublimely considered approach, the reworking is an altogether deeper four to the floor roller using only finely selected elements from the original. well rounded in the house! next up is skeleton grin by donga & blake + richta. this original composition features vocals by donga over an intense and metallic techno-esque bass and kick. we are true believers in the power of a b-side and this is no exception.

crossing classic alleys with the eintakt 28 – another various artists compilation offering a warm summerblend of well grown techno/ house/ dub plants and vegetables. starting off with >>achim maerz<< and a harmonic drifter with just that tiny acid touch it needs here. then mr. >>dub taylor<< takes over with a wooden dancefloor spoon cooking up a decent mixture for the massive floor.on the b-side >>idealist<< reduces it to the max with the well known hits and drum bits and so fulfils his past future classic promise once more.fading out with >>pawas<< and his slight jazzy cold dubb (which is not so cold at all) and being aware it’s another proper piece in the eintakt puzzle

its a french and dutch invasion coming up next on supplement facts as parisian julien chaptal and amsterdams lauhaus deliver jujuman featuring a remix from french house royalty franck roger. jujuman is a midsummer nights dream of percussive grooves and hints of the wilderness. francks remix adds inflections of psychedelia and a dose of wiggly acid while b-side watching you is pure heads down hypnotic rolling.

im original ein 80er beeinflusster ebm track (robert görl beeinflusst), marc pinol, heinrich mueller, legowelt fügen ihre definition von acid, experimental und electro an ... verdammt coole platte.

upcoming release from todd osborn on jared wilsons 7777 label. the a-side track 303 explores some dark acid territory, while the b-side 909 is a melodic house track in osborns signature style. like previous 7777 releases, we do not expect these to last long.

a heavy lead rhythm provides the foundation from which spiralling elements project. they coruscate, pulse with light and collapse inwards, until just the echoes of dub2 are left. rising from these depths, the sharpness of distribution theorys crisp hi-hats and snapping claps provide forward momentum to a series of stabs. the house element.
beginning as a mystery but ending as a certainty, the ethereal theme that opens untitled document gives way as it increases velocity, shaking and rattling under the strain. the apex. hands reach, seeking, the elusive moment has already passed, all left is pure. bliss. circumflex kicks hard, a final statement of intent. powerful. corrosive. this is late night techno, played over a system on which the squelching acid-lines converge within the mind. the body jacks.

with his second ep planet g, hxb weaves a deep and progressive techno whose architecture a mesh of dense, lush and organic sonic material. a constant line of tension runs throught this opus. acid bass lines and stratospheric chords constantly thwart the dark side and uncanny that lies in the atmosphere of this planet g.

2 fierce tracks that are straight up o.g. jacking house in roman flugels unique way. timeless tracks that maybe even in some way go back to his early acid jesus days and connect that with what hes doing today

rising bristol production team forget me not deliver 3 tracks that ride a wave of bristol-bass, steeped in a classic house sound road tested thoroughly at recent alfresco parties. the lead track *only you* draws you in with modulating pads and haunting vocals underpinned by heavy sub bass. the mix of organic and urban sounds creates an atmosphere perfect for alfrescos first release. on the flip they take the bumping classic house-meets-bass formula and apply it to *club shaker*. this time with classic chords and chopped vocals, they make dance floor magic on this head summer tinged club banger. alfresco disco co-founder luke turner aka lukas remixes *only you* making the track a more sprawling, acid tinged journey, a bit darker than the original. the vinyl of the release is truly one for the collectors.

slamming spooky and hypnotic acidic affair

played & supported by ame, acid pauli, audiofly, joel mull, martin landsky, valentino kanzyani, mihai popoviciu, dualton, bushwacka

superb reissue of ron trent s all-time deep techno classic altered states. made when he was still school-age, and released in 1990 on armandos seminal warehouse label, this record was an immediate underground club hit, turning ron into a local hero, kickstarting his hugely successful production and djing career and making him probably the only chicago house producer to rate one of the best techno singles of all time! this classic acid workout is stunning in its simplicity and has been described as one of the most perfect and moving tracks ever heard. the other tracks are also very beautiful in their own right despite having been overshadowed by the epic altered states - the afterlife was included on dj hells x-mix-5. all tracks digitally remastered for superb sound quality

de:tuned is the new label of djs, record collectors and party promoters bonny (ruben boons) and konnekt (bert hermans).the label is an extension of the de:tuned parties which they have been organising since 2009 in and around antwerp (belgium). de:tuned stands for proper old school club music, whether its techno, acid, rave, house. de:tuned is about quality music in general. previous guests at the de:tuned events include ben sims, dave angel, mike dred, robert leiner, cj bolland and frank de wulf to name but a few.

the next instalment, we feature artists from the growing lht family jamie blanco opens the record with his accomplice sam mensah on singin duties - jamie and alphonse worked in the studio together on this version we think will appeal to fans of real house music next up is bintus of power vacuum with his first original track on lht and theres no messing about - raw acid and stripped drums and at a pace that we can dance too, label boss alphonse opens side b with a deep 808 jam and this is followed by lht studio wizz facade who finishes with another piece of what can only be described as big.

tip! vinyl only!!! strong limited to 300 handstamped copies only!!! first release of pa-music. powerful connection of string harmonics and acid grooves, root focused without losing puristical aesthetics and function of sound.

nice price deal !!! so now, here is karezza by the way, karezza is not the soft feel of the wind on your skin but magick extreme tantric sex, the end of a voyage for us in a way, the beginning for you. a record to be proud of, albeit not an easy one. it has already blown away acid luminaries like james holden, ed chemical, piers martin, konrad black, it will certainly enlighten many more in many dark ways.

as you all have probably noticed, here at prspct hq the vinyl releases dont stop. this month we already released the massive prspct family album and prspct xtrm 007 by dither but were not done yet. prspct 021 by limewax & acid diaper will be hitting the streets next week!

starting with the melting frequencies of underground persistent, acid is in control. like an emmanuel top and kosmik messenger track if they d ever collaborated, this combines swingy 808 drums and masterful detroit strings to a searing acid-line that keeps going and going.